Six Loves Seven

Ever since I was a child, numbers have been boys or girls. I remember moments of boredom in second grade when I looked at the number line stretched out above the chalkboard and made up stories about the digits between 3 and 9. (For some reason, 1 and 2 were too small to interest me much.) The numbers 3, 5, 6, and 9 were male, while 4, 7, and 8 were female. Six was in love with 7 and sought love advice and pick up lines from the clever trickster 5, the Cyrano de Bergerac of numbers. Meanwhile, 8 was the silent, wise woman, advising her neighbor and protégée 7 toward caution. To this day, when I call to mind these digits, their personalities and genders are as tied up in their meaning as their numerical representation. Just as 7 will eternally be the sum of 3 and 4, in my eyes it will always and forever be a girl.

My foray into the love life of digits may or may not be typical, but we all personify the world around us. Children naturally personify their teddy bears or action figures. Adults often name and genderize their cars, musical instruments, or gadgets. Historically, boats are given genders, as are ‘mother countries.’ Consider the success of Tron, a movie based on personifying computer programs. Consider the fan clubs devoted to Roombas (small, automated vacuum cleaners), and the many people who call them ‘cute’ or think of them as pets. We have one of those handy little guys, and when he is roaming around the house, I can’t help but think of him as alive.

Certain types of objects or concepts evoke personification more than others. Things that move or interact with us. Things that are important to us or that we rely upon. And certainly, things whose workings we don’t understand or can’t control. When our computer or television isn’t working, don’t we yell at it and talk to it? Isn’t there some frustration that comes from the fact that it’s not cooperating, like a stubborn child? When a vending machine “steals” our money, do we strike it merely because we think it will magically release our bag of Fritos? Or isn’t part of the reason because we’re angry at its bad behavior? It has acted unfairly; it has taken our money and reneged on its end of the deal.

Before the modern era of scientific gadgetry and examination, the whims of weather, reproduction, disease, and death were mysterious and fickle. Imagine how terrifying life would have been in such an extreme and unpredictable world, when harvests could be ruined without reason and infants struck down with inexplicable pox. It was in our nature, as creative, thinking beings, to explain the unexplainable. To create a framework in which we could try to understand the world, and in doing so, control it.

Should it surprise us that, since ancient times, societies the world over have developed mythologies and religions with anthropomorphic gods? We are inherently social animals and it is in our nature to think in terms of conscious entities with thoughts and emotions like ours. We know how to behave with each other, and if the gods are like us, then we know how to behave with them. We can make offerings to them, please them, appease them. We can win their favor, and in doing so, win ourselves good fortune. By conceptualizing the world in terms we understand, we believe we gain some purchase on our fate.

Now when I see children talking to their stuffed animals, bandaging their wounds or serving them tea, I think that they are practicing. When I remember my younger self, enraptured by the love affair of numbers 6 and 7, I think that I was in training. Like other children, I was just beginning to try to make sense of this world.

Me, You, and Lucifer

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Are we all capable of doing truly evil things? This was a question posed by my latest nonfiction read, The Lucifer Effect. The author, Philip Zimbardo, is the psychologist who created the infamous Stanford Prison Experiment in 1971.

For his prison experiment, Zimbardo randomly assigned young college men to play the roles of prisoners or guards in a mock prison set up in the basement of the Stanford Psychology building. The study took place in an era of anti-war protests, when college students were being arrested and thrown into jail. Zimbardo conceived the experiment with the purpose of examining the prisoners’ mentalities and their attempts to organize and rebel. However ultimately, the most fascinating aspect of the experiment was the behavior of the subjects who played guards. Well-behaved, emotionally stable college boys became cruel guards. They inflicted shocking degradations on the prisoners, causing more than one of their detainees to suffer an emotional breakdown.

This unethical but fascinating experiment, and the other psychology studies and world events that Zimbardo chronicles in his book, demonstrate how we are all actors. We conform easily to the roles in which we are cast, even if these roles involve harming others or allowing others to harm us. And yet we cling to the concept of our unique and personal identity, particularly in Western cultures where individualism is highly prized.

This human failing, our malleability to fit social norms, is a consequence of one of our greatest attributes, our resourcefulness. We have evolved to be successful in complex environments and to tailor our behavior to the people and circumstances that surround us. Think about how you behave when you attend a party where you know no one compared with a night out with your oldest friends. Think of how you conduct yourself at a job interview, at a sporting event, babysitting a child, or when you’re alone. We manage to be very different people from moment to moment. We have to be; our complex social world demands it. So why is it so hard to imagine that, when plunged into an extreme role under extreme circumstances, we might do something we’d never think we’re capable of? Something truly inhumane?

In his book, Zimbardo argues that the suicide bombers of modern religious extremism, the torturers in the Abu Ghraib prison, and the executioners of the Holocaust were normal people subjected to extreme pressures and circumstances. There is a long history of psychology experiments, including Zimbardo’s study and the infamous Milgram experiments, that demonstrate how stable, well-meaning Americans will commit terrible acts when influenced by authority or anonymity. And past events have shown time and again that we are capable of standing by rather than intervening to help those in need. The case of Kitty Genovese is a dramatic example of this common occurrence, the basis for the so-called bystander effect. Zimbardo calls it the evil of inaction. But should it come as a surprise? Doesn’t society teach us to mind our own business?

These questions about complicity and inaction reminded me of a night from my childhood. I was seven years old when my parents first took me to the Chicago Symphony Orchestra. I remember how people with shiny shoes, lush coats, and clutch purses poured in from nearby parking structures to gather outside Orchestra Hall. Amid the symphony goers, I noticed a crumpled man sitting on the ground with his head resting on his knees. I remember that his jacket was far too thin for the biting cold and that the plastic cup by his feet was empty. All of the well-dressed concert goers swept past him, including us. I felt ill throughout the first half of the performance, knowing I could have asked my parents for money and given him a dollar or two. I worried that he’d starve to death because I hadn’t done anything to help him. At intermission, I dragged my parents out to the sidewalk, but by then the man was gone.

As an adult, I’ve lived in big cities and have become accustomed to sharing sidewalks and street corners with the homeless. People could not function in urban settings if they became as paralyzed by the sight of suffering as my seven-year-old self was. In the case of homelessness, it’s hard to know what to do or how to help; giving money to people on the street is not necessarily the best thing. But I do think our reaction to homelessness offers clues to how experience and social norms allow us to ignore or overlook suffering. To live and function in a city, we have to curb our empathy and compassion. Even if we aren’t cruel, even if we mean well, we manage to turn off our humanity on a daily basis. And the fact that we can turn it off a little should serve as a reminder that we all have the capability to turn it off a lot.

There are things we can do to help address the problem of homelessness, such as volunteering or donating money to a local homeless shelter. Charitable donations and philanthropic acts improve our world and reduce suffering, of course, and we should do both – as often as we can. But we should also remember that good deeds don’t change our capacity for evil. The best way to prevent ourselves from being cruel or complicit in cruelty is to believe that we are capable of it. If we remember that we are susceptible to the pressures of authority, group norms, and social roles, we can be vigilant. We can stop ourselves. We can speak up. We can act.

Grandparents’ Last Gift

My fiance’s grandmother passed away today. We will miss her very much. Her passing reminded me of my own grandparents, all of whom died a long time ago. It’s interesting and maybe in its own way poetic that one of the gifts our grandparents give us is our first experience with death. At least for most of us, our grandparents are the first people we truly knew and loved who died.

One of my grandmothers died before I was born, and one grandfather died when I was two, before I can remember. My other grandfather died when I was twelve. My father and I drove all day to reach his nursing home downstate, arriving in time to see the nurses wheel a body bag out of his room. Seeing his face in the casket was my first experience with death. Kissing his cheek at the service was the first time I touched a body devoid of life. I’ve done it more than once since then.

My last grandmother died when I was twenty-one. She died in home hospice care, slipping into a coma and passing away over the course of two days. Her breath and pulse were so faint that we couldn’t tell exactly when they stopped. The hospice nurse told us to watch her fingernails. When they turned blue, she was almost or already gone. I held her hand and watched them blue and when she was gone, I wasn’t as scared of death as I’d been before.

Unlike cultures elsewhere, and certainly, societies of the past, ours is stunningly sheltered from the realities of death. We don’t prepare the bodies of our loved ones for burial or witness their cremation. Their remains disappear and reappear as ashes or clean, well-dressed bodies in silk-lined caskets. Death isn’t something we’re comfortable talking about, even though it’s the one inevitability in our lives. Maybe it’s because the American culture is one of optimism, the make-lemonade-from-lemons mentality. But grandparents give us the gift of a quiet truth: that everything eventually ends, that our parents and spouses and our selves will pass, and that the world will continue without us.

Rest in peace, Shanti Bansal. We will keep you in our hearts and our memories.

A New Pair Of Eyes

Transplants, transplants, everywhere.

This is an amazing time in modern medicine. It seems like nearly anything a dead person can have and a living person can need is transplantable – even faces, as we’ve seen of late.

We hear a lot about heart, liver, and kidney transplants, but much less is said about the most common type of transplant in the U.S. (about 40,000 per year.)

Corneal transplantation is relatively easy and safe. Since the cornea is not blood-infused like the liver or heart, there’s no need to match donors with recipients; any cornea can go to any patient who needs one. And because the surgery is relatively noninvasive, it can be done as an outpatient procedure. Patients spend a few days with an eye patch, then they’re good to go.

It’s such a minor, common surgery that I hadn’t heard of it until my dad became a donor. A few months after his death, my family received a card in the mail. It said that a woman in Oak Park could now see because of my father’s donation.

I think about that often. Even though he’ll never see the world again, he’s given her a window so that she can see.

Weird science? Yes. But beautiful.

Recommendation and Regret

I couldn’t sleep last night and it was all Lowboy’s fault.

I was reading the novel Lowboy by John Wray. Click here for its review in the New York Times.

The book is about a 16-year old boy with schizophrenia on the run in the New York subway system. It’s a fantastic read – fast-paced yet poetic, and short enough to consume in a few days.

One of the interesting footnotes about this book is that the author wrote most of it on the NY subway line while listening to heavy metal guitar. Another is that he did a unique (albeit slightly awkward) reading from the book to other passengers on the train. Here’s a great interview of the author in a recent NPR podcast.

So that was my recommendation. Now for the regret.

The driving force of the novel is the threat of violence. The main character of the novel, Will Heller (a.k.a. Lowboy), has nearly killed someone before, has attacked others, and is now unmedicated and on the loose in public. I enjoyed the book immensely, but I couldn’t help feeling sad that it reinforced the public misconception that people with schizophrenia are violent.

This is not a criticism of the book; literature isn’t and shouldn’t be a public service announcement. A doctor in the novel even mentions that most patients with schizophrenia aren’t violent. Still, the young patient in this story is transformed into a terrifying figure.

Groups like NAMI and NIMH need to continue educating people about mental illness. The public needs to know that most people with schizophrenia aren’t violent and most violent people don’t have schizophrenia.

If patients are going to find treatment and recover, they’ll need the support of people in their lives. They will need our kindness, not our fear.